Blockbuster and Netflix Film School
Hello Mutantville! I want to discuss something that helped us out immensely when embarking on our first feature film “C for Chaos.” A few of us had gone to art school to develop our eyes, since of composition, etc… But we hadn’t gone to “Official” film school. We were lucky that Streebo had been studying storytelling since he was young and I had been behind a camera since I was young. Brento had been making and editing movies since he was young. So now that we’ve established that at one point we were all young, we’re ready to move on.
When preparing for “C for Chaos,” we all studied feverishly. We read all the books we could find but another thing was watching movies. I know this sounds like a “Duh” type thing but…we watched them from as if we were making them. Streebo and I would get together and point out camera movement, lighting, pacing, screen directions, composition, coverage, etc… If you really watch and dissect films in this way you can see how different directors can cover similar situations. Some may use more wide angles, some may go in for close ups, etc… Commentary tracks are another great resource. Of course not all commentary tracks are created equal. If you’re a low budget filmmaker then I recommend lower budget movies. Robert Rodriguez has great commentary tracks. Some of his you need a note book and the pause button to keep up. Be sure you keep an open mind when listening to the commentary. You may only get one or two gems, But if it saves you a night of shooting or makes something easier, I’d say that was worth 2 hours of your time. For example, on the commentary for Ronin, he talks about the scene when they’re buying the weapons. They purposefully wet the entire area since they were filming outside, that way if it rained, it wouldn’t mess up their shooting schedule. Either write this stuff down in a journal or file it away in your brain somewhere.
Streebo is a big believer in only watching what you’re filming. So when we shot “C for Chaos” for about 3 years, that’s pretty much all Streebo watched. Thanks to places like Netflix he showed me horror films from all over the world. This can give you a lot of insight into the genre.
So before, while and after making your film, study as many films as possible. Notice I said study and Not watch. Watch is passive. Study is active.
Below Please leave comments about films with good commentaries for other filmmakers to go and study! Thanks!
From The Dig by J. Riddle: Roger Corman has been called a lot of things. Shrewd. Miserly. Maverick. He’s been given titles like King of the Cult Film, King of the B-Movies, and the Pope of Pop Cinema. The last is probably the most appropriate, and not just because it sounds cool and Corman says he likes it. For over 50 years, Corman’s particular breed of low-budget, action-oriented, socially conscious exploitation fare has graced the cinema, to the persistent delight of audiences and, in turn, to his significant profit. He’s brought his talents to bear on every genre under the sun, and has even invented a few of his own. He has a finely-tuned eye for talent–it’s only a little exaggeration to say it would be easier to list the big name Hollywood directors, writers, actors of recent decades who didn’t get their start with Corman than those who did.